- Name
- Kohei Ukai
- Career
-
-
1993
Born in Aichi
-
2016
Graduated Kanazawa College of Art, Department of Crafts
-
2018
Graduated Graduate School of Kanazawa College of Art
-
2021
Graduated Kanazawa Utatsuyama Craft Studio, Ishikawa
- Awards Received
-
-
2014
Selected for The Ishikawa International Urushi Exhibition 2014
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2017
Selected for the Ishikawa International Urushi Exhibition 2017
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2018
Received The Award of URUSHI (Japan URUSHI association)
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2019
"World of Lacquer - Vessel / Phenomenon" Selected for 2019 Hubei International Triennial of Lacquer Art
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2019
Selected for 4th Triennale of KOGEI in Kanazawa
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2020
Finalist, LOEWE FOUNDATION Craft Prize 2020
- Exhibition
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2016
Personal Exhibition @GALLERY b. TOKYO, Tokyo
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2019
"Present Lacquer Expressions vol.2" @Nihonbashi Takashimaya Art Gallery X, Tokyo
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2021
Pesonal Exhibition”Merge”@hpgrp GALLERY TOKYO
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2022
"MONOZUKURI - die Herstellung von Dingen" @Bayerische Kunstgewerbeverein, Munich, Germany
From the owner
"I feel the claim of wood and make a shape while accepting it."
In the process of Ukai's production, the shape is carved along the grain of the wood without deciding the finished shape. There are times when he feels the moment when the claim of the tree and the intention of the creator are balanced, and at that time, the natural flow seems to move. He also wants to show the process of lacquer swallowing wood, so He doesn't paint everything.
From the production process, he feels respect for wood, which is a representative of the natural world, and lacquer, which has been used in our lives since ancient times.
I may not be the only one who receives a novel energy and some relief nostalgia in Ukai's work at the same time. ArtshopTsukibae Owner, Mayumi Miyanaga
From the owner
"I feel the claim of wood and make a shape while accepting it."
In the process of Ukai's production, the shape is carved along the grain of the wood without deciding the finished shape. There are times when he feels the moment when the claim of the tree and the intention of the creator are balanced, and at that time, the natural flow seems to move. He also wants to show the process of lacquer swallowing wood, so He doesn't paint everything.
From the production process, he feels respect for wood, which is a representative of the natural world, and lacquer, which has been used in our lives since ancient times.
I may not be the only one who receives a novel energy and some relief nostalgia in Ukai's work at the same time. ArtshopTsukibae Owner, Mayumi Miyanaga