- Name
- Hidenori Tsumori
- Career
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1986
Born in Tokyo, Japan
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2011
Attended Public Glassmaking and Metalworking Facility's Glass Work Shop 2011
(Lecturer: Yosuke Tsusaka)
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2012
Graduated Tama Art University;
Department of Ceramic, Glass, and Metal Works; Glass Program
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2012
Attended Pilchuck Glass School Summer Program (Lecturer: De La Torre Brothers)
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2014
Graduated Toyama City Institute of Glass Art; Glass Certification Studies Program
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2017
Graduated Kanazawa Utatsuyama Kogei Kobo
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2017
Started working as assistant for Toyama City Institute of Glass Art
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Currently Works in Tokyo
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- Awards Received
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2013
Award of Excellence / Kitanippon Shimbun Award for Bi no Saiten, Ecchu Art Festival 2013, Three Dimensional Category
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2014
Award of Excellence for Toyama City Institute of Glass Art's Graduation Work Exhibition 2014
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2015
Hokkoku Shimbun President Award for 71st Kanagawa City Craft Exhibition
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2015
Miwa Judge Award for 6th Sanyo Onoda Contemporary Glass Art Exhibition
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2015
Selected for Meijer x Shigaraki Award Competition, Tradition and Innovation, Japanese Ceramics Now
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2015
TV Kanazawa President Award for 30th Contemporary Arts and Crafts of Ishikawa
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2016
Studio Award for Kanazawa Utatsuyama Kogei Kobo's Trainee Exhibition
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2016
Silver Prize for the International Exhibition of Glass Kanazawa 2016
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2017
Judge Ronald T. Labaco Special Award for the 3rd Triennale of Kogei in Kanazawa
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2017
Mayor of Kanazawa Encouragement Award for the 73rd Kanazawa City Craft Exhibition
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2017
Selected for International Ceramics Festival '17 Mino , Japan
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2018
Silver Prize for Toyama International Glass Exhibition 2018
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2018
Kuroki Prize Award for Glass '18 in Japan
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2019
Grand Prize for The International Exhibition of Glass Kanazawa 2019
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2022
Second Prize, "5th Triennale of KOGEI in Kanazawa - 2022 KOGEI World Competition in Kanazawa" (Japan
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2024
Silver Medal Award, Mixed Media, "2024 Hsinchu City Golden Glass Award" (Taiwan)
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Victoria and Albert Museum (London, UK)
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2016
Public Collection at The World War II Museum , America, Boston
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2019
Horvitz Collection , America
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2020
Notojima Glass Art Museum (Ishikawa, Japan)
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21st Century Museum of Contemporary Art, Kanazawa (Ishikawa, Japan)
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Toyama Glass Art Museum (Toyama, Japan)
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Kyoto City Museum of Art (Kyoto, Japan)
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Kanazawa Utatsuyama Kogei Kobo (Ishikawa, Japan)
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Toyama Institute of Glass Art (Toyama, Japan)
- Exhibition
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2014
Hidenori Tsumori Exhibition at Gallery Q (Tokyo)
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2015
Hidenori Tsumori Glass Exhibition -- Konseki no Katachi --
at Ishikawa International Salon (Ishikawa)
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2016
"Remains of the Day ---- Hidenori Tsumori" @ Yufuku Gallery, Tokyo
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2017
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2017
"Hidenori Tsumori Exhibition -Warmth of Zero-", Art Shop Tsukibae (Ishikawa)
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2018
”Glass Artists from Hokuriku Diversifying Glass Art", Toyama Glass Art Museum / Toyama
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2018
"Hidenori Tsumori Solo Exhibition -Swell / Distort-", William Morris (Tokyo)
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2019
"Art Miamir 2019, ’18" Yufuku Gallery, America
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2020
"TEFAF Maastricht 2020, ’19, ’18" Yufuku Gallery, Netherlands
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2020
Hidenori Tsumori Exhibition – The monotone world of glass and Clay And...", ArtShop Tsukibae, Issho (Ishikawa)
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2021
Falling into You ‒ Hidenori Tsumori", A Lighthouse called Kanata (Tokyo)
From the owner
Tsumori's original work is created by mixing soil and glass. I listened to the story once. As he continued to make glass works, he said he had researched the materials, saying, "I'm tired of shining ... Is there any other expression?" As a result of considerable trial and error, they arrived at a mixture with soil. Strictly measure the soil and glass and mix.
Is it only me that his work feels like a firm discipline, even though it is an original material and shape?
Those who see his work may discover the free parts within him and the core of his incessant self.
From the owner
Tsumori's original work is created by mixing soil and glass. I listened to the story once. As he continued to make glass works, he said he had researched the materials, saying, "I'm tired of shining ... Is there any other expression?" As a result of considerable trial and error, they arrived at a mixture with soil. Strictly measure the soil and glass and mix.
Is it only me that his work feels like a firm discipline, even though it is an original material and shape?
Those who see his work may discover the free parts within him and the core of his incessant self.