Master of Arts, Crafts/Ceramics, Kanazawa College of Art
2008
Doctoral Degree of Arts, Crafts/Ceramics, Kanazawa College of Art, Graduate School, Kanazawa, Japan (Ph.D) Doctoral dissertation : "The execution process as the representation of ceramics"
2009
assistant professor at Kanazawa college of Art Craft
2020
Associate professor at Kanazawa college of Art Craft
Awards Received
2003
Excellent Work Prize, 41thAsahi Ceramic Art Conpetition, Japan
2003
Thard Prize, Art and Craft in Obokesugi, juried competition, Yoshino Craft Center, Yoshinodani, Ishikawa, Japan
2005
Kanazawa college of Art award (Purchase Awards for Permanent Collection)
2008
8th International Ceramics Competition Mino, juried international competition, Mino International Ceramic Park, Mino, Japan
2009
Arts challenge 2009, juried Exhibition,Aichi prefectural Museum,Aichi,japan
2009
5th World Ceramic Biennale Korea (CEBIKO), Icheon World Ceramic Center, Icheon, Korea
Aichi Prefectural Museum of Art, Gallery6, Aichi, Japan
2011
"FEITICO, charm of CERAMICS" INAX Live Museum,Aichi,Tokoname
2012
"Haruka Miyanaga: FEITICO", visiting artist exhibition concurrent with short-term residency in Ceramics, Acorn Gallery, Lee Hall Clemson University, Clemson, SC
2018
”SILVER SHELL” Tokyo, Kyoubashi
2019
“Daily forms of life in this world” Kurobe City Art Museum , Toyama , Kurobe
From the owner
Ceramic artist Haruka Miyanaga continues to pursue his own quest to visualize and structure the hollow structure based on the hypothesis that the essence of the pottery shape is the hollow structure.
The shape creates a spiral trajectory from the flexible molding concept. The innovation of technique gives rise to a unique organic form, and the ventilated "words" from that form lead to the next quest.
From the owner
Ceramic artist Haruka Miyanaga continues to pursue his own quest to visualize and structure the hollow structure based on the hypothesis that the essence of the pottery shape is the hollow structure.
The shape creates a spiral trajectory from the flexible molding concept. The innovation of technique gives rise to a unique organic form, and the ventilated "words" from that form lead to the next quest.